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ELEMENTS OF ART:

The visual components of color, form, line, shape, space, texture, and value.

Line An element of art defined by a point moving in space. Line may be two-or three-dimensional, descriptive, implied, or abstract. Some text includes Dot as the first element of art, making it to be 8 elements of Art. Note: 2 dots make a line in space. 

Shape An element of art that is two-dimensional, flat, or limited to height and width. Circle is often described as the beginning shape. Circle is also the shape used to represent nature.

Form An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Forms may be geometric or organic.

Value The lightness or darkness of tones or colors. White is the lightest value; black is the darkest. The value halfway between these extremes is called middle gray. Use the words 'tonal values' to describe the lightness and darkness of tones and colours.

Space An element of art by which positive and negative areas are defined or a sense of depth achieved in a work of art. The illusion of 3 dimensional space is created when tonal values are applied onto a flat drawing, e.g. turning a circle into a sphere.

Color An element of art made up of three properties: hue, value, and intensity.
• Hue: name of color
• Value: hue’s lightness and darkness (a color’s value changes when white or black is added)
• Intensity: quality of brightness and purity (high intensity= color is strong and bright; low intensity=
color is faint and dull)


Texture An element of art that refers to the way things feel, or look as if they might feel if touched. Use the words 'visual texture' to depict the illusion that a 2 dimensional artwork/ design exudes as if touched, e.g. looks rough to the touch, the visual effect of carpet painted realistically.
 

Using Jessica Russo Scherr's cross hatching drawing, point out where you can identify these Elements of Art.

lines
texture
forms
tonal value
shapes
space
PRINCIPLES OF DESIGN:

Balance, emphasis, movement, proportion, rhythm, unity, and variety; the means an artist uses to organize elements within a work of art.

Rhythm A principle of design that indicates movement, created by the careful placement of repeated elements in a work of art to cause a visual tempo or beat.

Balance A way of combining elements to add a feeling of equilibrium or stability to a work of art. Major types are symmetrical and asymmetrical.

Emphasis/ Dominance/ Focus The part of the design that captures the audience's attention. This is intentionally crafted or planned. 

Contrast A way of combining elements to stress the differences/opposites between those elements. Contrast adds interest or drama to a design or artwork. 

Proportion A principle of design that refers to the relationship of two or more elements in a composition and how they compare to one another concerning size, color, quantity, degree, setting, etc. Ratio and Proportion is often used as a paired principle to emphasize on comparisons.

Gradation A way of combining elements by using a series of step-by-step changes in those elements. (large shapes to small shapes, dark hue to light hue, etc)

Harmony A way of combining similar or different elements in an artwork or design to accent their similarities (through use of repetitions and subtle gradual changes), achieving a unified whole. (See Variety)

Variety This principle is concerned with diversity or contrast. Variety is achieved by using different shapes, sizes, and/or colors in a work of art. Often, Unity in Variety is used as a paired principle to define Harmony in the artwork or design. (See Harmony)

Movement This princple creates the look and feeling of action and to guide the viewer’s eye throughout the work of art. Often, Rhythm and Movement is used as a paired principle to define the visual look and feeling of movement in an artwork or design of repeated/ rhythmic lines/ shapes/ patterns. 

Use the following famous paintings to practice identifying The Principles of Art/ Design

Vincent Van Gogh, The Starry Night, 1889, Oil on Canvas, 73.7cm x 92.1cm, Museum of Modern Art, currently on loan to the Metropolitan Museum of Art, New York

Picture Souce: https://desenio.eu/p/prints/van-gogh-the-starry-night-landscape-poster/
Edvard Munch, The Scream, 1893, Oil, tempera, pastel and crayon on cardboard, 91cm by 73.5cm, National Gallery and Munch Museum, Oslo, Norway

Picture Souce: https://www.theartstory.org/artist/munch-edvard/

Use The Principles of Design to discuss the impact each of the following logos have on the viewer.

LogoCollection.jpg
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